英语翻译I was the middle child of three,but there was a gap of five years on either side,and I hardly saw my father before I was eight.For this and other reasons I was somewhat lonely.I had the lonely child’s habit of making up stories and hold

英语翻译I was the middle child of three,but there was a gap of five years on either side,and I hardly saw my father before I was eight.For this and other reasons I was somewhat lonely.I had the lonely child’s habit of making up stories and hold
英语翻译
I was the middle child of three,but there was a gap of five years on either side,and I hardly saw my father before I was eight.For this and other reasons I was somewhat lonely.I had the lonely child’s habit of making up stories and holding conversations with imaginary persons,and I think from the very start my literary ambitions（文学志向） were mixed up with the feeling of being isolated（孤独）and undervalued.I knew that I had a natural ability with words and a power of facing unpleasant facts,and I felt that this created a sort of private world in which I could get my own back for my failure in everyday life.
However,the quantity of serious writing which I produced all through my childhood would not add up to half a dozen pages.I wrote my first poem at the age of four or five,my mother taking it down to dictation.I cannot remember anything about it except that it was about a tiger and the tiger had “chair-like teeth” ― a good enough expression.At eleven,when the war of 1914-18 broke out,I wrote a poem which was printed in the local(地方的） newspaper,as was another,two years later,on the death of Kitchener.From time to time,when I was a bit older,I wrote bad and usually unfinished “nature poems”.I also,about twice,attempted a short story which was a failure.That was the total of the would-be serious work that I actually set down on paper during all those years.

英语翻译I was the middle child of three,but there was a gap of five years on either side,and I hardly saw my father before I was eight.For this and other reasons I was somewhat lonely.I had the lonely child’s habit of making up stories and hold
我在三个孩子中排行老二,和老大老三都差五岁,八岁之前很少见到我父亲.由于这些以及其他原因,我曾感到些许寂寞.我有孤单小孩共有的习性--编故事、与想象的人交谈,我想我文学志向的真正起点正是在孤独和被轻视的感觉中产生的.我知道我有天生的文字驾驭能力和面对不幸事实的能力,我感觉这些帮我创造了一种私人的世界,在这里,我可以从每日的失败中独自恢复过来.
然而,我童年所创作的一系列作品的量都不会超过半打纸.在我四或五岁的时候,写了第一首诗,我妈妈把它听写下来.我什么都不记得了,除了这首诗是关于老虎,老虎有“椅子般的牙齿”—个足够好的词组.十一岁时,1914-18战争爆发,我写了一首诗,发表在当地的报纸上,另一首是两年后,在Kitchener过世的时候.年复一年,当我稍长大一些,我写得不好并且经常未完成一些“自然诗”.同样我曾两次企图创作一篇短篇故事,但也失败了.这就是全部,那段时间我确实用纸记录下来的想要做得一系列创作.

我是3个孩子中排行老二,但有缺口的五年内,我几乎没有看见我的父亲,我8岁之前。由于这样那样的原因,我有点寂寞。我孤单的小孩的习惯和编造故事与虚构的人交谈,我想从一开始就我的文学抱负(文学志向)被混淆与孤独的感觉孤独)和低估了(。我知道我有天生的能力与权力的不愉快的事实,我面对觉得这是一种创造的世界里,我能私人可以找回自己的失败,我在日常生活中。

然而,我所产生的严重的写作...

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我是3个孩子中排行老二,但有缺口的五年内,我几乎没有看见我的父亲,我8岁之前。由于这样那样的原因,我有点寂寞。我孤单的小孩的习惯和编造故事与虚构的人交谈,我想从一开始就我的文学抱负(文学志向)被混淆与孤独的感觉孤独)和低估了(。我知道我有天生的能力与权力的不愉快的事实,我面对觉得这是一种创造的世界里,我能私人可以找回自己的失败,我在日常生活中。

然而,我所产生的严重的写作都通过我的童年并不会增加到半打页。我写了我的第一首诗的年龄在四或五,妈妈带它去听写。我不记得这件事,除了是关于老虎和老虎“牙齿”——一chair-like够好的表现。十一岁时,1914-18战争爆发的时候,我写了一首诗,是在当地报纸,(地方的)是另一个,两年后,在Kitchener死亡。从时间,以时间,当我有点老,我写的不好,“自然诗”。我也是,两次,企图短篇故事,是失败的。这是潜在的严重的工作,我实际上在纸上记下在那段时间。

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我是3个孩子中排行老二,但有缺口的五年内,我几乎没有看见我的父亲,我8岁之前。由于这样那样的原因,我有点寂寞。我孤单的小孩的习惯和编造故事与虚构的人交谈,我想从一开始就我的文学抱负是混在一起感觉被孤立和低估。我知道我有天生的能力与权力的不愉快的事实,我面对觉得这是一种创造的世界里,我能私人可以找回自己的失败,我在日常生活中。

然而,我所产生的严重的写作都通过我的童年并不会...

全部展开

我是3个孩子中排行老二,但有缺口的五年内,我几乎没有看见我的父亲,我8岁之前。由于这样那样的原因,我有点寂寞。我孤单的小孩的习惯和编造故事与虚构的人交谈,我想从一开始就我的文学抱负是混在一起感觉被孤立和低估。我知道我有天生的能力与权力的不愉快的事实,我面对觉得这是一种创造的世界里,我能私人可以找回自己的失败,我在日常生活中。

然而,我所产生的严重的写作都通过我的童年并不会增加到半打页。我写了我的第一首诗的年龄在四或五,妈妈带它去听写。我不记得这件事,除了是关于老虎和老虎“牙齿”——一chair-like够好的表现。十一岁时,1914-18战争爆发的时候,我写了一首诗,被印在当地的报纸上,另一、两年后,在Kitchener死亡。从时间,以时间,当我有点老,我写的不好,“自然诗”。我也是,两次,企图短篇故事,是失败的。这是潜在的严重的工作,我实际上在纸上记下在那段时间。

收起